This oft-repeated phase has many writers scratching their
heads. Of course, you have to "tell the story." That's what
storytellers do, isn't it?
There's a way to get a story on paper that puts the reader
into the character's head and keeps them connected to the action. Here are some
examples of telling and showing:
Example 1:
Telling:
Marianna felt drained after her conversation with Virginia. The woman had
a way of making her an emotional wreck.
Showing:
Marianna walked into her apartment and threw her keys on the
entryway table. She collapsed onto the couch and considered staying there for a
week - maybe more. The next time Virginia
asked her to go out to lunch, she'd refuse. Even the luscious food at Chez
Magnifique wasn't worth listening to the other woman's constant criticism.
In the telling segment, we're told how Marianna felt and
why. In the showing example, we're right there and nodding our heads. Who
hasn't experienced this kind of exhaustion at one time or another?
Example 2:
Telling:
What did it matter Carrie said she didn't like guys that
said one thing but did another? Guilt haunted him over the hypocritical life he
led before he became a Christian. If she found out about the real Patch
Lawrence, she'd probably drop him in a second.
Showing:
Carrie's voice echoed in his mind. "I can't stand a
hypocrite."
He cradled his head in his hands. What was the use of
pursuing Carrie? Once she discovered his past indiscretions, she'd be gone in a
flash.
In the telling example, all the details are laid out for the
reader. In the showing example, the reader turns the page, hoping to discover
what indiscretions Patch is talking about and what caused Carrie's outburst.
The whole show, don't tell admonishment still trips me up at
times. I'm thankful for critique partners, who point out areas where I miss the
mark.
Some things to keep in mind:
1. Telling reports
what is happening in the story. Showing allows the reader to see the action as
it unfolds.
2. Avoid using the
emotion words. A tear streaking her pale face shows the character is upset.
Trembling hands clues the reader in that the character is nervous.
3. Ask yourself:
"Does this scene evoke an emotional response in me or does it tell me
facts without reaching my heart?"
Writers: Do you have
a hard time with show, don't tell? Please share.
Readers: Does this
help you understand why some books you read keep you fully engaged in the
story, while others fall flat? What are some of your favorite books?
Photo Credit: Helmut Gevert
Photo Credit: Helmut Gevert